- A review by Devapriya Roy in the Indian Express
"Sight and insight; every episode, and there are twelve interlinked ones, appears at first glance a stand-alone narrative even though the blurb advises us they are interlinked. But the interlinks are subtle and demand of the reader the embrace of that same cinematic gaze that defines the telling of this novel: the reader has to remember that a the plastic bag will reappear as a defining moment in the emotive core of other protagonists inhabiting this city whose own core is defined by the precincts of the railway line at one end and high rise apartments at the other. In between the skywalk on which the dispossessed make their homes as ladies in their clackety-clack heels pass by. For Zaidi, this contrasting scene of poverty and middling affluence is not the site for social realism, breast-beating about the iniquities that plague the city. They are the locations of illusions, of yearnings, and glimmers of redemption from love denied or a life despised."
"Haruki Murakami once asked, “Why do people have to be this lonely? What’s the point of it all? Millions of people in this world, all of them yearning, looking to others to satisfy them, yet isolating themselves.” Zaidi posits a painful answer to this question, unflinchingly marking the social divisions that proliferate her web.
Some of these social markers inevitably crisscross – like gender complicating class relations. Zaidi also pays attention to how these divisions are uniquely manifested in the space of a city, which is as merciful as alienating in its bequeathal of anonymity."
"This sense of something just beyond — something nameless that is tantalisingly within one’s grasp, but recedes as soon as one stretches out a hand to it — unites Zaidi’s characters, all of whom labour under different forms of constraint: everyday constraints imposed by class, patriarchy, age."
- A review by Gautam Bhatia in The Hindu
"This is where people meet; this is where they fall in love and this is where they settle down. Those riding its trains, buses and ferries have their dreams too, though mostly unfulfilled. That is a given. But one cannot brush them aside or push them under the mildewing carpet of memory."
- A review by Ganesh Saili in The New Indian Express
"The narration is lively and attractive. The story is not to delve deeper into the lives but to understand the merging of the city, its color, and the people’s psyches."
"A diverse cast of characters — a cop, a bank teller, a security guard, a fragile woman having an affair, her lover, his ex-wife… — show up and, one by one, reveal parts of themselves: their thoughts, their observations, how other people see them, how they see other people, a significant life-altering incident. The local train runs in the backdrop."
- A review by Ashoak Upadhyay in The Beacon
"Haruki Murakami once asked, “Why do people have to be this lonely? What’s the point of it all? Millions of people in this world, all of them yearning, looking to others to satisfy them, yet isolating themselves.” Zaidi posits a painful answer to this question, unflinchingly marking the social divisions that proliferate her web.
Some of these social markers inevitably crisscross – like gender complicating class relations. Zaidi also pays attention to how these divisions are uniquely manifested in the space of a city, which is as merciful as alienating in its bequeathal of anonymity."
- A review of City of Incident by Gayathri Shankar in Scroll.in
"This sense of something just beyond — something nameless that is tantalisingly within one’s grasp, but recedes as soon as one stretches out a hand to it — unites Zaidi’s characters, all of whom labour under different forms of constraint: everyday constraints imposed by class, patriarchy, age."
- A review by Gautam Bhatia in The Hindu
"City of Incident captures the aspirations and losses of a bunch of people irrespective of their socio-economic status—there’s a trinket seller, a bank employee, a policeman, a security guard, etcetera. Most of them are unhappy in their own ways, some more than the other. As an author, Zaidi doesn’t provide her characters with many dialogues. She sets the stage simply by establishing the scene and ruminates on the peripheries that carry it forward."
- A review by Karthik Keramalu in Open magazine
"This is where people meet; this is where they fall in love and this is where they settle down. Those riding its trains, buses and ferries have their dreams too, though mostly unfulfilled. That is a given. But one cannot brush them aside or push them under the mildewing carpet of memory."
- A review by Ganesh Saili in The New Indian Express
"The narration is lively and attractive. The story is not to delve deeper into the lives but to understand the merging of the city, its color, and the people’s psyches."
- A review by Swapna Peri in Storizen
"Short sketches are meant to be packed with detail, not a word out of place, and this is exactly the vividness that characterises this collection. And yet there is a sense of universality about the sketches as the reader will instantly recognise such characters in their lives too. The empathy with which she writes is at the heart and soul of every story. The stories linger with the reader after the book is closed."
- A review by Jaya Bhattacharji Rose
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