What Harris doesn’t quite say is that her mother, being human, is fallible. Instead, she sticks with the fantasy Ma – an unfailing, temperate presence who compensates for other lacking, including an absent or distant father...
Interestingly, the Hindi screen Ma looms larger if she is widowed, divorced or has been abandoned by the father. In this form, she is nearer to the primal Mother – the unrivalled creator and provider whose primacy cannot be challenged. In this way, she becomes an article of faith rather than a flesh and blood woman. The tricky part, of course, is that articles of faith never have any longings of their own. In Of Woman Born: Motherhood as Experience and Institution, Adrienne Rich writes that it is only as mothers that women’s bodies are seen as “beneficent, sacred, pure, asexual, nourishing”. In order to be deemed worthy, a woman must be seen as maternal, or at least potentially maternal, and these ideas still play out in public discourse.
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