Read the full article here: https://www.dailyo.in/variety/ganesh-shankar-vidyarthi-journalist-died-fighting-riot-allahabad-adityanath-communal-violence/story/1/23138.html
Thursday, March 29, 2018
A martyr and a forever student
Read the full article here: https://www.dailyo.in/variety/ganesh-shankar-vidyarthi-journalist-died-fighting-riot-allahabad-adityanath-communal-violence/story/1/23138.html
Monday, March 26, 2018
A rough road to development
Thursday, March 22, 2018
On Kedarnath Singh
I have a favourite poem. Not necessarily a favourite poet, but a single short poem that demands that I hold on to it, remember it, like a talisman of sorts. The poem is Kedarnath Singh’s “Aana Jab Samay Mile”.
I found the poem at a juncture when my link with Hindi literature had all but snapped. Growing up, the Hindi poems prescribed by the school syllabus intimidated and bewildered me. I experienced those poems as if they were remote, supercilious, unforgiving teachers, and as soon as I could, I distanced myself from them. I went back to reading exclusively in English. But a few years out of college, I met friends who were reading across a swathe of poets, ranging from Kedarnath Singh and Kunwar Narain to Gorakh Pandey and Paash. It was as if I’d needed my eyesight corrected all these years and now somebody had taken me to the optician.
Consider the favourite poem mentioned above, where the poet addresses a beloved, asking her to show up in all circumstances: whether or not she has time to spare, to show up like fire in a stove, or like a thorn on the branch of a thorny tree, like a storm, like a Tuesday. Each image stands strong, distinct, and the poet sews the whole up into a poem filled with an ancient, eternal distillate: a human being devoted to love, waiting.
Singh is able to maintain a near-conversational tone in many of his poems, which makes it seem like he is, in fact, addressing you directly. He turns a warm gaze upon his country, his people, the objects in their lives, nature. However, he does not shy away from the role of the poet as public critic. Another of my favourites is “A Two-minute Silence”, where he uses a standard expression of shared grief upon hearing of someone’s death to unpack the little sadnesses that go unmourned, and follows it up with the great sadness that none of us dares to mourn:
'...for this great century
for every great idea
of this great century
for its great words
and great intentions
a two-minute silence...'
[— Translated by Alok Bhalla]
He sometimes approaches the page with a certain whimsy that suggests he is not taking his craft, or indeed, his subject matter very seriously, and yet, by the time the reader has finished reading the poem, the tongue is covered with the thick residue of loss. This is most obvious in poems where Singh uses the writing of poetry itself as a device.
In “Ek Prem Kavita ko Padhkar” (the poet’s recitation), he writes about looking out for ducks in the third line, because that’s where they ought to have been. A woman does not appear until the twelfth line, and he writes her in, and then he cleverly shifts the location of the woman in the poem, along with the reader’s mood.
I had a chance to watch Kedarnath Singh read at an event once. It was a gathering of Hindi poets and critics and I was struck by the cheerful informality in the room. The stage was filled with literary luminaries who appeared to be unafraid of critique or jokes at each other’s expense. Singh remained unfazed by a joke about his numerous awards and the ease with which he gathered them, went up to the microphone, and in a even, low voice, began to read. The calm dignity that came off his person also inhabits his work.
He continues to occupy the quieter corners of my mind. His is a body of work filled with broken down trucks, ducks, potatoes, cranes, abandoned shoes, mothers afraid of abandonment, and books that rebel against cupboards demanding to be set free so they may return to the bamboo forest, to the sting of the scorpion and the kiss of the serpent. It is a body of work imbued with the love of everything in the world.
https://scroll.in/article/872685/reading-the-poetry-of-kedarnath-singh-1934-2018-is-to-be-reminded-of-his-love-for-everything
Friday, March 09, 2018
Something Approaching Home
Friday, February 23, 2018
Gaddhe mein sadak
It is hard to translate. The nearest phrase I can think of is ‘road-pocked hole’, an inversion of ‘pot-holed road’. It has been a while since I had encountered such a road. People often threw the phrase around in places around Delhi or capital cities like Lucknow, but the first time I truly understood what ‘gaddhe mein sadak’ means was in Bihar, over a decade ago. One hour out of Patna, it became apparent that I wasn’t travelling on anything resembling a road. The surface had been washed away entirely, leaving a series of uneven pits. Whatever remained of the tar road appeared like garnishing, sort of like chopped walnuts on top of a bowl of lumpy kheer.
Now, in Uttar Pradesh, I was confronting a similar road. It came as a bit of a shock after the highway, which is quite smooth. Too smooth, in fact. The driver had been complaining that the new method is dangerous. Tyres slide too easily; braking the vehicle takes longer. Apparently, the new roads being constructed are made of cement rather than tar. It is being said that some of these new roads are entirely concrete. There is no under-layer of pebble or brick. Drivers, he said, are concerned about such highways since everybody moves at higher speeds and being able to brake quickly is vital. But then, who consults drivers when road construction is sanctioned?
This time around, I personally felt the pain and danger of the too-rough road that connect various towns and villages. Whatever bits of tar and pebble yet remained create uneven edges. My foot turned over one such edge, I lost balance and next thing I knew, I was hopping around with a sprained foot for the rest of the week.
Along the way, I also discovered the unexpected benefits of traveling in over-packed tempos, which are the primary mode of transport in these parts aside from state transport buses.
The thing is, the road is awful beyond description. In a relatively empty auto-rickshaw or tempo, you’re swung about and shaken wildly no matter that you’re holding onto something for dear life. Your neck and spine is at risk. Your head gets bumped hard against the metallic frame of the vehicle. You could be jerked forward so that your knees smash into the floor of the tempo.
However, when there are six or sixteen (I counted; there were sixteen people. I will write more about how that went another day) in the tempo, you are all packed in so tight, there is no longer any question of anyone moving. I found myself safely squashed between two elderly ladies on right and left, four ladies seated across and sundry gentlemen and children in front and on the back seats. No matter how bad the road was, however the tempo lurched about, my spine was as upright as it would have been in a straitjacket. I suppose that was something to be grateful for.
First published here: http://www.thehindu.com/life-and-style/motoring/on-the-razors-edge/article22807230.ece
Thursday, February 22, 2018
Maulana Azad and azaadi
Maulana Azad was arrested on January 3, 1941, at 5:15 at the Allahabad railway station. He was expected to leave by the Toofan Express and stop at Lucknow or Allahabad en route to Calcutta. The details of his itinerary had already been published in the newspaper a day before, so people as well as the British government knew exactly where to find him. He had also sent a telegram to Acharya Narendra Deo, asking him meet up in Allahabad.
Once news of his arrest spread, a public meeting was held in Aminabad Park in Lucknow. One Mr Hariprasad Saksena moved a resolution: “This meeting of the citizens of Lucknow offers its respectful congratulations to Maulana Abul Kalam Azad on his arrest and assures him the country stands behind the Congress.”
I am intrigued by these little details because it is here that we find the keys to our freedom. It wasn't won in a day and it wasn't won by a handful of people. It was won through everyone committing themselves to it and standing up for it in their own way.
Maulana Azad lived to see a free India, lived to serve as its education minister. He oversaw the establishment of free primary education, subsidized higher education and the establishment of highly regarded institutions including the IITs. Leaders like him were needed then and are needed now.
Wednesday, February 21, 2018
No lovers of rules
First published here: http://www.thehindu.com/life-and-style/motoring/on-following-traffic-rules/article22668561.ece
Monday, January 22, 2018
The street as a potato
Sunday, December 31, 2017
A true Badshah of the people, after all
Here are some things I've learnt about Ghaffar Khan, also known as Badshah Khan and Bacha Khan:
Before his arrest, and after his release, Badshah Khan's focus was education. He raised the standard of a school he had set up, and also began to tour the region, talking to Pathans. He was arrested once more and this time he spent a significant period in solitary confinement, in a cell where the toilet was overflowing with excrement. He was sentenced to three years rigorous imprisonment.
“He was given filthy food, ordered to grind twenty kilos of corn each day by rotating a heavy stone chakki, and abused by lackeys of prison officials. Again and again, he was invited to find relief through petty bribing, an apology or a surety... At the jail in Dera Ismail Khan the superintendent was an Englishman who only knew English, the jailor was an aged and inert Muslim, and the deputy jailor, who was the prison's real boss, a Hindu called Gangaram. Badshah Khan described Gangaram as 'a veritable rogue'. In his autobiography, he would say about Gangaram: 'In order to extract bribes he made the prisoners fight among themselves and supplied young boys to the prisoners'....”
Thanks to his attempts to contain the corruption in jail, Gangaram complained and had him shifted to Lahore jail. This turned out to be good for Ghaffar Khan. He met other political activists and people of all religions. He read the Gita and Guru Granth Sahib along with the Quran.
“At the previous jail, he had lost fifty five pounds, contracted scurvy and lumbago, and damaged his teeth.”
His mother died while he was in jail and his family didn't have the heart to tell him. He found out through a newspaper.
In another section, Gandhi writes about Ghaffar Khan having started a newspaper. Pakhtun, was written in Pakhto or Pushto. Its topics were varied and in one piece of commentary, a woman called 'Nagina, a Pakhtun sister' writes:
“Except for the Pakhtun, the women have no enemy. He is clever but ardent in suppressing women. Our hands, feet and brains are kept in a state of coma.... O Pakhtun, when you demand your freedom, why do you deny it to women?”
Also:
If I a slave lie buried in a grave, under a resplendent tombstone,
Respect it not, spit on it.
When I die, and not lie bathed on martyr's blood,
None should his tongue pollute, offering prayers for me.
"Impatient for items from the son, his father, Ghani would recall in the future, sometimes sent 'a letter abusing me that I could not write ten lines for my country and that I was a disgrace to the nation and so forth'. The result would be another column entitled “Nonsense”, signed by 'The Mad Philosopher'."
In 1930, after Salt tax defiance and the Qissakhwani Bazaar massacre (like the Jallianwala Bagh massacre, unarmed and peaceful Pathan protestors, perhaps as many as 300, were killed by British fire). Badshah Khan was already under arrest. Now Pakhtun was banned... The younger son, Wali, just 14, was almost killed in the ensuing crackdown on Khudai Khidmatgars. The KK office was burnt down.
In 1934, Badshah Khan (as well as his older brother, popularly known as Dr Khan Sahib) was released from jail. But within a few months, he was re-arrested on the charge of sedition. He was sent to Sabamati jail where he was to sleep on the floor, in a solitary cell, and warders were instructed not to talk to him. Then he was sent to Bareilly jail, again in a solitary cell. He was unused to the hot summer of the plains and his body broke out in boils. Finally he was moved to Almora jail where he “completed a garden that Jawarharlal Nehru had begun.”
When Jawaharlal Nehru offered to increase funding to the Peshawar Congress Committee, Badshah Khan responded: “Panditji, we do not need your money...you carry your load, we shall bear ours. If you want to help us, then build a girls' school and a hospital for our women.”
In later chapters, Dr Khan Sahib and the Khudai Khidmatgars come to power through elections in the Frontier (NWFP), despite the best efforts of the British to prevent this, and to prop up the Muslim League instead, hoping to drive a wedge between the KKs and the Congress. However, this unity could not prevent Partition. Despite Badshah Khan's appeals, British India was partitioned and the Pathans were fated to go with Pakistan. The details of how this was achieved are heart-breaking, for this is a tale of not just betrayal, but also a pointer towards how different our joint histories might have been if only the British establishment had not been so meddlesome, so determined to divide South Asians along religious lines rather than regional and linguistic lines. If only they had been a little more humane, genuinely democratic, before their exit from the Subcontinent. Consider the fact that while Dr Khan Sahib and Badshah Khan were prevented from campaigning and travelling in the Frontier province, the Muslim League people were free to do so. That was anti-democratic sabotage by the British, who wanted to curtail a peaceful Pathan who spoke of unity rather than more aggressive Muslim leaders who preferred disunity.
When Badshah Khan tried to speak of the dangers represented by the Muslim League, when he tried to seek autonomy, when he tried to speak of protecting minorities, he was accused of being a Hindu, or a Hindu agent.
Badshah Khan (and his brother and the sons) was jailed again, and again, and again, in independent Pakistan, both by elected and military rulers. His newspaper was banned. His social service center shut down. When he was not in jail, his movements were severely restricted. Ultimately, he was allowed to travel, but not to India or Afghanistan. Yet he never gave up on peace, nor stop speaking truth to power.
On another occasion he said, (about Indian politicians) “It seems as if you think that to clap, give or hear speeches and get photographed is work.”
Bless his soul! If he could see India now, what would Badshah Khan say? Well, I suppose he would say the same thing that he said in 1970:
“I am no friend if I offer false praise.”
I cannot recommend this book enough, especially if you have an interest in South Asian history and the freedom movement. It is very lucid, well written too.
Sarcasm on a bumpy road
Monday, December 25, 2017
To the language of love, with love
A decade ago, Urdu was a cultural vessel that looked the worse for repair. Lovers of the language spoke of it ruefully, as if it was headed for the shipbreaking yard.
Mushairas (public poetry recitations) were organised in a few cities but tucked out of sight of the cultural mainstream. A generation educated in English medium schools couldn't even read the posters advertising the event. Besides, Urdu wasn't necessarily their scene. College fests had jazz and hip-hop rather than ghazals and qawwalis. The new leisure was gaming and memes, selfies and social media, Netflix and trying to chill. Couplets and metaphors?
Actually, yes. Couplets and metaphors.
Enter the new Urdu. The old ship has got a fresh coat of paint, new steel joints and a robust crew.
Sunday, December 24, 2017
Riding with ladies
Monday, December 04, 2017
Slavery (Or why there's so much drama over a girl choosing a boy)
A dry solution
Sunday, November 05, 2017
A wordy ride
I’m not much of a talker, and very rarely open such conversations. At least, I didn’t until last year. But one of the positive outcomes of app-based cab and rickshaw rides, such as Uber and Ola, has been that it has subtly changed the way I interact with the drivers of these vehicles. For one, they have a name. They are not anonymous service providers, not a generic lump of men or “cabbies”. Each one is a distinct man (sadly, yet to meet a woman), with a face and a name. This is how he sees me too — not just as a nameless passenger, but a person with a name and a distinct voice.
With the knowing of names, and the inevitable phone call as you try to guide the driver to your precise location, it is as if the first step has already been taken on the bridge of conversation. After this, you can either go ahead and take another step forward — “Hot day, yes?” “Mad traffic, eh?” “Why do people drive like that?” — or you can retreat into your own head and ask for the radio to be turned on.
The other day, I had a really charming conversation with an elderly driver. I had asked him to pull over for a minute near an ATM, and that somehow led to the second step on the conversation bridge.
His spoken Hindi was dulcet, and I couldn’t resist asking where he was from. I’d already guessed it would be somewhere in Uttar Pradesh. Then he asked where I was from and I told him. He’d spent some years in Delhi, doing odd jobs, but then he was drawn to Mumbai by the glamour of the film world. The way life turned out, he’s been driving for 35 years, 34 of them spent in yellow-black taxis. Lately, his children had been objecting to his driving the rickety old kaali-peeli, and told him that he must either retire or move to an app-based company. He was reluctant at first, afraid that the demands of smartphones and electronic map reading would disqualify him from a job he’s done smoothly all his life. But then, it wasn’t so hard, after all, and he realised that he really likes doing the long rides, cutting clean across the city. Just the other day, he’d done 250 kilometres in and around Mumbai.
I asked how many kids he had. He said, “Seven. By God’s grace, six are graduates, and one is normal.”
I bit back my smile and, for a few quiet moments, reflected on the many meanings of ‘normal’. At the end of the ride, I told him that it was a pleasure meeting him, and I meant it. And he told me, likewise. I think he meant it too.
Saturday, October 21, 2017
The lulled street
Sunday, October 15, 2017
A little bump in the road
Thursday, October 12, 2017
After the floodwaters receded
I opened an old suitcase filled with my documents accumulated over two decades. Letters from hostel friends, a childhood autograph book given away by an aunt, passbooks, employee contracts, printouts of early short stories and poems that I was trying to get published, the first credit card I was offered, banks' & insurance companies letters, bills and accounts for reportage related travels, recommendation letters to support my applications to fellowships or universities, the first few acceptances from publishers, diaries in which I'd made notes for writing my plays.
This record of life emerged sodden, mouldy and falling apart in my hands.
I took one last look at everything to see what could be salvaged. A decade ago, I'd have tried to save the "official" stuff first. Perhaps my own creative work. Now, I found I could toss all of that with no regret (why was I holding onto it anyway?).
The poems were awful. I ripped them them at once. I was very amused by a cover letter I'd written to a publisher. So full of faux confidence, so earnest that I am too embarrassed to share it here.
What I did save were the rejection letters. Polite and encouraging. I'd have saved the recommendation letters too but they tore as I opened them.
I tried to save the letters from friends, girls from college. But most were too wet, or the ink had run and faded. I will not say who wrote what, but it broke my heart to read the scraps that I still read.
One of you had written to scold me for failing to write back with thanks and acknowledgement after you couriered a diary as a gift. You said you had covered a wall with thermocol sheets to pin up photos of all of us girls, to remind you of happiness. You wrote to say your parents said they had to get you married off before you turn 25, and you were afraid you'd be house-bound and "roti pakao-fying" all your life and never be anything more.
One of you wrote to say, you were not sure if I was welcome to visit in your in-laws' house. Friends were not encouraged.
One of you wondered, if one can leave a boy who has not hurt you, did you ever love him in the first place?
One of you wrote to say, you couldn't afford to write to me too often, the postage was too expensive. It was that or skipping a meal. One of you wrote to say you liked reading what I sent you, and how could I dismiss my own writing as 'just journalism style'? It was most certainly not just that!
One of you, a junior, sent a type-written letter, full of spelling errors. You warned me against my own friend. Your reason for warning me was that this friend had visited college after we'd graduated and hung out with some other girls, but ignored you. You looked for affection in her eyes, and did not find any. According to you, this was a serious character flaw.
One of you sent me a birthday card with the image of a child on it, white kid with blonde hair, saying that she reminded you of me.
One of you sent me a card saying 'I really miss you'. It was wet and stuck so badly, I couldn't even open it to see which one of you sent it.
From Agra, Jaipur, Haridwar, Belgaum, Allahabad, Kanpur, Delhi, the inlands arrived. Your handwriting, your decision to write your name and return address, or not to. Girls fresh out of college, filling up every inch of space with words.
Sometimes you wrote on pages torn out of a ruled notebook, and sometimes especially bought stationery. You used red ink and blue, almost never black.
Reading these letters, I fretted. I too must have written letters. Sent them back to Agra, Haridwar, Allahabad. Pouring my heart, my circumstances, my whims out on paper. All that honesty, locked into ink by my own hand. Do I want the girl I was to still exist? I am certain I will not recognize her and her sentiments any more. Just as I don't recognize that girl who wrote awful poems and wanted them published (good lord above, thank you for the rejections!). But who knows? Another ten years, and I might be desperately looking for that girl, for clues to her head, her times, the tangible objects she touched.
Phones, Whatsapp, reveal too little. Paper, even a blank sheet of paper, says fifteen times more than a stupid Whatsapp forward. Send letters. Use the post. Paint cards. Send them. Even if you're just tearing them up ten years later, it's a more life-affirming process than hitting 'delete' on the phone.
