'Annie Zaidi’s new novel, The Comeback, is a delightful journey into the heart of Indian theatre, with a focus on small-town India...'
- Jahnavi Acharekar in Frontline magazine
Link to review: https://frontline.thehindu.com/books/theatre-life-review-the-comeback-annie-zaidi/article69385271.ece
'... economical and absorbing. It contains more than a few touches of broad irony, especially when it comes to the business of art and the way eastern and western dramatic traditions are appropriated by the cognoscenti.'
- Sanjay Sipahimalani in The Hindu
Link to review: https://www.thehindu.com/books/book-review-the-comeback-author-annie-zaidi-theatre-films-friendship-betrayal-drama/article69412332.ece
'Through the story of a somewhat successful actor, Zaidi imagines how corrupting any kind of adulation can be. If being ruthless in the guise of ambition is bad, then being conceited as a natural result of one’s success is even worse.'
- Sayari Debnath in Scroll.in
Link: https://scroll.in/article/1080920/the-comeback-annie-zaidis-short-and-sweet-novel-about-second-chances
- Aditya Mani Jha in the Mint
Link to review: https://www.livemint.com/mint-lounge/art-and-culture/book-review-annie-zaidi-the-comeback-friendship-stagecraft-11740722742207.html
'The book grapples a lot with the worlds of theatre, cinema, and television; and through this, triggers contemplation on an interesting hierarchy that's right in front of us but never paid heed to - that of the politics of where a play should be performed.'
- Garima Sadhwani in the Financial Express
Link to review: https://www.financialexpress.com/life/lifestyle/the-comeback-by-annie-zaidi-review-returning-to-your-roots/3778064/
Link to review: https://www.deccanherald.com/features/books/meditation-on-broken-bonds-and-lost-dreams-3456598
- Natasha Ramarathnam in Youth ki Awaaz
Link: https://www.youthkiawaaz.com/2025/02/a-story-of-friendship-and-betrayal-set-in-the-theatre-world/
'Novelist and playwright Annie Zaidi turns to this trope in her latest, The Comeback, and sets the novel in a milieu that she knows intimately — the world of the theatre. The result is a slim novel that is part parable and part a fairy tale.'
Link to review: https://www.asianage.com/books/book-review-can-theatre-reunite-offer-redemption-1876623
'What follows, thereafter, is a tale of soured friendships, bruised egos, fluctuating fortunes, starting from scratch, and, of course, drama in every which way. An award-winning dramatist, Zaidi has seen the world of theatre, up-close and up-front, and is clearly partial to it. Her descriptions of rehearsals, the shoe-string budgets, the uncompromising determination to stage quality stuff, make for inspiring reading.
This is a book that many from the world of grease-paint and arc lights will identify with. Others will enjoy a story, well-told.'
'Asghar’s journey, from brokenness to renewal, is rendered with a sensitivity that avoids clichés, making his evolution not just compelling but deeply affecting. His rediscovery of theatre serves as both an artistic and personal revival, showcasing his resilience. The supporting characters—family, friends, and the theatre troupe—enrich the narrative...'
'The Comeback tells us that relationships can be old and strong, yet, fragile.. It deftly delves into the anxieties of people in the contemporary world and the issues that crop up with fame along with personal egos and social status.'
'Though slim, The Comeback travels a full circle in a consistently engaging story that reads like it could be a lively movie (or a series?). Held up against Zaidi's other books, including the acclaimed Prelude to a Riot and her memoir Bread, Cement, Cactus, The Comeback can seem lightweight, but it is warm and large-hearted.'
'Zaidi approaches the narrative with subtlety rather than spectacle. The drama here is not loud or exaggerated; instead, it lies in the emotional spaces between the characters. Through carefully drawn scenes and internal reflections, the novel captures the quiet turbulence that accompanies ambition, the desire to succeed, the fear of being forgotten, and the pride that sometimes blinds people to the consequences of their actions.'
- Veda Pahurkar in the Asian Age (Mar 25th, 2026):
No comments:
Post a Comment