Showing posts with label women. Show all posts
Showing posts with label women. Show all posts

Monday, August 25, 2025

A prize for short fiction

One of the good things that happened over the last year: my short story, ‘Zinnias in the Graveyard’, won third prize (shared with Brecht De Poortere) at the Hudson Review Short Story competition 2024-25. It took a while but the story has finally been published in the Summer 2025 issue of the Hudson Review. 

Here's a brief excerpt: 

The last gardener Shafiqa had hired asked for three months’ advance on his pay and disappeared. Just as well. He didn’t do much without supervision, and her every waking minute was consumed by a sick man who could barely chew or swallow without gagging. Mashing his rice and daal, putting fruit and spinach into the blender. A whole hour would pass between bringing a tray to his bed and coaxing a few spoonfuls of goop into his mouth. Scolding him for not sitting up, yanking at his wrist, prodding with increasing degrees of impatience until he uttered a soft oath and allowed her to shovel the spoon into his mouth.
 
She had scolded him with every spoonful. Eat! Eat! Eat a bit more, for God’s sake! Will you kill me with trying to keep you alive?
 
She hadn’t been able to keep him, of course. Five months of turning him this side and that side and, yet, bedsores all over his back. Between the feeding, there was the cleaning, the bandaging, the laundry. Wiping the corners of his mouth. Shaving his chin. She barely had time to bathe herself. At the end of the day, she would simply lie prostrate beside him and whisper her prayers, underlining each Arabic phrase with just one thought: Let him stay alive.
 
He slipped away, complaining about the lack of salt in his porridge. By the time she returned from the kitchen with the salt shaker, he was gone.
 
He could have asked for a bit of sugar instead, she thought later. He hadn’t tasted sugar in years. She often left out a bowl of temptation, disappearing into the garden for a bit so he could sneak a spoonful. If he asked, she was duty bound to refuse. No, the doctor said, no. Sugar is poison for you. Still, she would leave a bowl of kheer to cool on the dining table. One spoon wouldn’t kill him, but he never touched it. She always knew when her kids stole a few spoons of kheer or halwa. She’d know if the surface of the dessert bowl had been disturbed, no matter that they made clumsy attempts to level it flat again. But her husband?
 
He had wanted to live. But five months ago, he had begun to murmur in the dark. Enough. Enough. Enough what? she wondered. Pain? Being turned, his sores suppurating, smelling his own shit? He never said anything more than that word, enough.

Sunday, January 12, 2025

Against the Calculus of Skin

I have a new essay in Ananke magazine's 10th anniversary special edition. My essay is titled 'Against the Calculus of Skin'. I was thinking of how much of a woman's existence is defined by her body - how much skin is (in)visible, and how cultural notions of attractive/acceptable intersect with politics in our times. A brief extract from it, here: 


I am tired of skin. I am tired of the way women’s skin seem to swallow up their kidneys, aortas, phalanges. For all the space taken up by skin in public discourse, it is almost as if these other bits of us had nothing to do with us being women.

Skin. The largest and most vulnerable organ in the body. It protects us with no protection of its own. At one time in history, humans began to cover up skin with more layers. Some scientists suggest it was during the first iceage, 180,000 years ago. Clothing brought us protection from cold, but also sun and rain, from insect bites and bruising gravel. Men needed it as much as women did. But ever since people began to read gendered meanings into clothing, it has begun to mess with our sense of justice. We make assumptions about how others, especially women, deserve to be treated based on what part of her skin can be espied – how low a saree hangs on her hips, how high the skirt, whether or not her ears and neck are covered – at what time of day. And while I am tired of men who look at a woman’s knees and jump to the conclusion that she desires sexual congress, I am thoroughly sick of women who look at another woman in a bikini and call her a prostitute.

Those who say such things surely know in their hearts that they’re wrong. They say those things anyway because, if a woman is neither within grasp nor concerned about how she’s viewed, they feel compelled to punish her. Some punish with rape, others by perpetuating a moral binary whereby women are split into whore/saint. And I am very, very tired of women rationing out their allyship based on skin so that some of us are cast to the wolves of harassment and bigotry.

Reader, I say, ‘we’, although I want to exclude myself from this reckoning. Still, I say ‘we’ because so many women fall prey to one form of categorical splitting or the other. If it’s not the whore/saint binary, it’s the oppressed/liberated one. Can white women in France or Denmark possibly believe that a woman who refuses to show her face does not deserve to eat? Do Indian women across the spectrum of religious affiliation (or even atheists) truly think that a woman who keeps her neck and chest covered, cannot achieve financial autonomy? Are you that brown woman who refuses to accept that there might be a kind of freedom in not showing off your legs or your cleavage in a culture that demands it of you? Do you sit around calculating how much of an education, what jobs, how much of a political voice should be allowed to a woman based on what percentage of her skin is visible? Hands and arms, elbow down, okay? Ankles, okay? Shoulders, great? Waist, mandatory reveal?

I am sick of this calculus. The expectation of majoritarian assimilation often masks a wilful blindness towards the human struggle to balance individual circumstance and choice against cultural norms, and nowhere is this blindness more insistently inscribed than upon the skins of women. Yet, the meanings we attach to women’s decisions to clothe themselves in particular ways almost always turn out to be wrong if only we would bother to look closer. An image that brought me up short recently was a representation of St Hild of Whitby in the Durham Cathedral. At first glance, I thought it was it a painting of an Iranian or South Asian woman in a chador. Indeed, but for the saint’s name written on the painting, anyone would have thought so. I found myself wondering how people might be impacted by the painting with or without the name. How does our response change, knowing that it is not a present-day Muslim woman, but a medieval Christian saint who dressed that way? Would the average white woman looking at that painting think of St Hild as oppressed or subservient to any mortal man? 


You can read the whole issue here: https://issuu.com/anankemag/docs/ananke_10th_29_

Sunday, September 22, 2024

MA as fantasy

Julia Kristeva has written of consecrated motherhood as a fantasy of lost territory that is nurtured by all adults. In the religious sphere, we see it in the form of a Mother Goddess or as Mother Mary, while in culture, we see it as the ordinary-seeming Ma who holds her son’s heart in her fist. In politics too, it emerges as the motherland, although politicians also tap into the power of consecrated motherhood when they bring their flesh-and-blood mothers into political discourse. We saw this most recently when Kamala Harris described her mother as an immigrant in the US – “a brown woman with an accent” who was tough, courageous, and yet, never lost her cool.

What Harris doesn’t quite say is that her mother, being human, is fallible. Instead, she sticks with the fantasy Ma – an unfailing, temperate presence who compensates for other lacking, including an absent or distant father...

Interestingly, the Hindi screen Ma looms larger if she is widowed, divorced or has been abandoned by the father. In this form, she is nearer to the primal Mother – the unrivalled creator and provider whose primacy cannot be challenged. In this way, she becomes an article of faith rather than a flesh and blood woman. The tricky part, of course, is that articles of faith never have any longings of their own. In Of Woman Born: Motherhood as Experience and Institution, Adrienne Rich writes that it is only as mothers that women’s bodies are seen as “beneficent, sacred, pure, asexual, nourishing”. In order to be deemed worthy, a woman must be seen as maternal, or at least potentially maternal, and these ideas still play out in public discourse.

Monday, May 27, 2024

'Mohabbat karti aurat'

I took the liberty of doing an Urdu translation of Manglesh Dabral's Hindi poem 'Prem karti stree'. It didn't take much translation to be honest. The basic grammer and syntax is the same in Hindi/Urdu and Dabral's poetic idiom is rooted in the sort of everyday Hindi that is quite similar to everyday Urdu. This poem in particular had very few words that needed translation. I have only changed a few words, substituting everyday Urdu words that are also common to Hindi.


محبت  کرتی عورت دیکھتی ہے

ایک خواب  روز 

جاگنے پر سوچتی ہے کیا تھا وہ 

نکالنے بیٹھتی ہے معنی  


دکھتی ہیں اسکو عام فہم چیزیں 

کوئی ریتیلی جگہ 

لگاتار بہتا نل 

اسکا گھر بکھرا ہوا 

دیکھتی ہے کچھ ہے جو نظر نہیں آتا  

کئی بار دیکھنے کے بعد 


محبت  کرتی عورت  

یقین نہیں کرتی کسی کا 

کنگھا گرا دیتی ہے 

آئنے میں نہیں دیکھتی خود کو 

سوچتی ہے میں ایسے ہی ہوں ٹھیک 


اس کی سہیلیاں ایک ایک کر

اسے چھوڑ کر چلی جاتی ہیں 

دھوپ اسکے پاس آیے بنا نکل جاتی ہے 

   ہوا اسکے بال پریشان کیے بنا بہتی ہے 

اسکے کھاتے  بنا ہو جاتا ہے کھانا ختم 


محبت کرتی عورت 

ٹھگی جاتی ہے روز 

اسکو پتا نہیں چلتا باہر کیا ہو رہا ہے 

کون ٹھگ رہا ہے کون ہے بدکار  

پتا نہیں چلتا کہاں سے شروع ہوئی کہانی 


دنیا کو سمجھتی ہے وہ  

گود میں بیٹھا ہوا بچہ 

نکل جاتی ہے اکیلی سڑک پر 

دیکھتی ہے کتنا بڑا پھیلا شہر 

سوچتی ہے میں رہ لون گی یہیں کہیں 


- منگلیش ڈبرال  


In Roman font:


Mohabbat karti aurat dekhti hai

ek khwaab roz

Jaagne par sochti hai kya tha vo?

Nikaalne baith'ti hai maa'ni 


Dikhti hain use aam-fahm cheezain 

Koi reyteeli jagah

Lagataar behta nal

Uska ghar bikhra hua 

Dekhti hai kuch hai jo nazar nahin aata

kayi baar dekhne ke baad 


Mohabbat karti aurat

yaqeen nahin karti kisi ka 

Kangha gira deti hai

Aaine mein nahin dekhti khud ko

Sochti hai main aise hi hoon theek


Uski saheliyaan ek-ek kar

usey chhod kar chali jaati hain

Dhoop uske paas aaye bina nikal jaati hai

Hava uske baal bikhraaye bina behti hai

Uske khaaye bina ho jaata hai khana khatm


Mohabbat karti aurat

tthagi jaati hai roz

Usko pata nahin chalta baahar kya ho raha hai

kaun thag raha hai kaun hai badkaar

Pata nahin chalta kahaan se shuru hui kahaani


Duniya ko samajhti hai vo

go'd mein baitha hua bachcha

Nikal jaati hai akeli sadak par

Dekhti hai kitna bada phaila shehr

Sochti hai main reh loongi yahin kahin. 


- Manglesh Dabral 

(Urdu rendition of his Hindi poem 'Prem Karti Stree'. The original can be found here: https://www.hindwi.org/kavita/prem-karti-istri-manglesh-dabral-kavita)

Friday, May 24, 2024

An Ordinary Woman and Twelve Ordinary Men

CAN A WOMAN tell the unvarnished truth about what happened to her? This is the central question at the heart of Anand Ekarshi’s Aattam (The Play), the 2023 Malayalam film that was recently adjudged the best film at the 47th edition of the Kerala Film Critics Awards.

The film takes its structure from the iconic Twelve Angry Men (1954), a teleplay that has inspired multiple films since, including the Hindi film Ek Ruka Hua Faisla (1986). A bunch of men weigh in on what appears at first to be a matter of outright criminality, and must decide the fate of the accused.

However, what makes the creative twist in Aattam particularly successful is that it has freed the “judgement” from legal institutional frameworks and moved it into a creative workplace. The “case” in question is sexual harassment. Anjali (Zarin Shihab), the lone female member of a small drama company, has been molested and the other members must decide whether or not her alleged abuser should continue working with them.

I wrote this short essay about Aattam, Indian movies and representation of sexual harassment, especially at  the workplace. My own headline for it was: 'An Ordinary Woman and Twelve Ordinary Men'. 

Wednesday, January 24, 2024

Eaten by a look

In Western fairy tales, a witch is a scary woman who might ‘eat’ you, cooked or uncooked. In South Asian fairy tales and folklore, she might eat you simply through gazing at you. Worse, she might marry you and then eat you at leisure. I have been researching witches in contemporary South Asian fiction for my doctoral thesis (a work in progress) but in the meantime, I've published this blog post for the Durham University Edible Histories project. It looks at witch appetites in folklore, mainly from India. Do read if you're interested in the subject. Link below: https://staffblog.webspace.durham.ac.uk/eaten-by-a-gaze-witches-in-south-asian-folklore/

Friday, November 03, 2023

A brief meditation on selfies and resilience

Once upon a time, I was judgmental about selfies. From film stars to your third cousin, everyone was pouting, clicking, and uploading selfies on social media, and I was disapproving. A photograph taken by others captures more of the physical environment, a more uncertain expression, a likeness that you cannot fully control. Selfies, on the other hand, give their subjects too much control. The selfie-taker is intent on being seen as they see themselves rather than on capturing memories. And how much memory could a selfie possibly contain?

I bit down on my disapproval though, and read scholarly commentary on the sociocultural implications of relentless self-portraiture: what does it say about our generation? What does it say about societies where women are unsafe when they become visible, or where self-fashioning comes with a side of grievous harm? Perhaps selfies were good for something after all, if they could help us understand ourselves?

I cringe now to think of that former self—so blinkered, she didn’t even know how to look at herself squarely in the eye. How, then, did I get to a point where I have a folder full of goofy selfies and where my own self-portraiture is unapologetic?

The answer lies buried in an analogue photo album.

Monday, October 02, 2023

A first attempt at translating prose

Shakeela Akhtar was one of the earliest women writers of Urdu fiction in the twentieth century. Born and buried in Bihar, she was obviously deeply rooted in the local landscape, local dialects and, if we are to use this story as any indication, in the texture of its social relations.

I do not claim to know the body of her work, and I am but a fledgling translator. However, I chanced upon ‘Dain’ in the course of my current research on representations of witch bodies in South Asian literature. Since it wasn’t yet available in English translation, I decided to undertake the task myself.

Shakeela Akhtar was born into a zamindar family in Ardal, near the river Son in Bihar. The river features prominently in this short story and the author was evidently well-acquainted with the vicissitudes in the lives of fishing communities in the region. While I have not read Akhtar’s own memoir, I have read Balmiki Ram’s Shakeela Akhtar Bahaisiyat Fiction-nigaar (Kitabi Duniya, Dehli, 2014). Ram was a Junior Research Fellow at Patna University when he wrote this analysis of Akhtar’s fiction, and it includes basic biographic details about the author.

Akhtar’s date of birth is uncertain. Ram’s book suggests that different scholars have mentioned the years 1912, 1914, 1919 and 1921 while 1916 has been mentioned on the website Rekhta.org. Her first story ‘Rehmat’ was published in 1939 in the journal Adab Latif, Lahore. Elsewhere, Ram mentions that her first story ‘Mothers’ was published in Adab Latif. There are disputes too over the claim that her first collection was first published by Maktaba Urdu, Lahore, when she was just eighteen. However, it is known that she was married to Dr Akhtar Urainvi in 1933 and that her literary life began soon thereafter. According to Ram, her first published book was Darpan (likely published in 1940), the second was Aankh Micholi (1948), third collection was Dain aur Doosre Afsane (1952); fourth was Aag aur Paththar (1962); the fifth book was a set of three novelettes, published as Tinke ka Sahara (1975) and the sixth was Lahu ke Mol (1978) for which she received an Urdu Akademi award. Her last book was Aakhri Salaam (1982). Shakeela Akhtar died on 10th February, 1994.

Read 'dain' in English translation here: https://www.outofprintmagazine.co.in/shakeela-akhtar_dain.html

A brief note on the translation: This story, 'Dain' was hard to translate partly because it made significant use of local dialects, spoken in the region around the river Son in Bihar. It is set in a time when zamindars or landlords were treated as local kings or rulers. The workers, agricultural or otherwise, were ‘rayyat,’ which literally means people and, in this story, is used in the sense of subjects or workers. However, in order to avoid confusion for readers in English, I have used the word tenant since it is a more accurate description of their status. In Urdu, the fisher-women address the landlord and his family as ‘maalik,’ which literally means ‘master’ and I have translated it as such. The relationship is essentially feudal but it is not that of owner and slave as ‘master’ might suggest in the western (especially American) context.

The original text had very erratic punctuation with quotation marks often missing or placed incorrectly. I have added these where required, but have stuck to the original tenses and first/third person speech as in the original.

I must profusely thank Musharraf Farooqi who was instrumental not only in my learning to read and write the Urdu script but who has also offered valuable feedback on this, my first attempt at translating Urdu prose. I must also thank Prof Abdur Rehman for helping with a sentence in Bhojpuri or Magahi that I was struggling with.

Tuesday, August 08, 2023

Book alert!

Bantering with Bandits and Other True Tales (Aleph 2023) is just out. This is a new edition of Known Turf (2010), with a fresh Introduction chapter and a lot of footnotes that update the book's information with newer data, which lend it fresh context. 



This book of essays was nominated for the Crossword book prize in the non-fiction category when it first came out, and had a bunch of mostly good reviews when it first came out. It attempts to tell the story of our country in our times, with brief dips and detours into banditry, caste crimes, gender violence, displacement, hunger and malnourishment, faith and identity. All of these are, as I have learnt over the years, interlinked processes. I urge you to buy and read the book. 


Review links from 2010: 

"Annie Zaidi’s collection of essays, Known Turf, is arresting and unforgettable; about realities we prefer didn’t exist. Starvation deaths, female infanticide and communal intolerance step out of the anonymity of statistics to become people like us. They remind us of our defence mechanisms in the face of horror and sorrow; our efforts to stay sane and functional" - Karthika Nair in Tehelka

"Known Turf is a wonderfully engaging example of a puzzling trend in contemporary Indian writing in English. Despite the hype surrounding the novels-with-large-advances, the best writing today is happening in non-fiction." Alok Rai in Outlook

"Tragic and tender and brutal and funny." Known Turf covers a lot of turf.

"At its best, the book combines a reporter’s on-the-spot perception and a writer’s reflection and language to etch interesting, nuanced portraits of that half-mythical being in the throes of constant change: contemporary India. Known Turf is definitely worth reading, and not just for the sake of Gabbar Singh." Tabish Khair in Mint

"...anyone who has braved the railways without a confirmed reservation will get cathartic pleasure reading Zaidi’s graphic account of sitting on the corner of a seat, at a 45 degrees angle, with an RAC (Reservation against cancellation) ticket in a train to Lucknow" Alpana Chowdhury in DNA

"A book like this, written by someone who may once have been just as sheltered as they were, will resonate with Generation iPad in a way that a more world-weary account would bypass entirely." Manjula Padmanabhan in Outlook Traveller

"It’s a rare look into the lives of dacoits minus caricature.  Zaidi’s writing attempts to evoke an understanding of their reality.The Reporter and her Beat in Civil Society

"Among all the issues that Zaidi touches on, I find molestation to be the most moving. Though she puts in a lot of information on the other subjects she chooses, the whole force of her personality comes into play only when she starts speaking of molestation and eve teasing." From here

More reviews hereherehereherehere, and here.


Sunday, May 21, 2023

Sad Stories You are Old Enough to Hear

Eight years ago, I had my first essay accepted in the Griffith Review. 'Embodying Venus' was a meditation on women's bodies and (un)covering and the politics around it. There were a few more pieces in the journal since: 'Golden Girls' about the rise of young female wrestlers in India, 'Dangerous Little Things' about the significance of student politics, and a short story about ideological wars on Twitter, 'Cows Come Home'.

This year, again, I have a piece in their newest edition, Creation Stories. It is written in the form of a letter to a beloved young person who is growing up in fraught times: Sad Stories You are Old Enough to Hear


Dear A, 

The other day, I told you to stay out of it when two adults were talking about something serious. I saw your face, startled perhaps that this should come from me. I regretted it at once, partly because you are not a child. You are what we call ‘young adult’ in the world of literary endeavour and a young adult must be allowed into adult conversations. I know that my concerns may not be yours and perhaps even your sense of identity is not the same as mine. Perhaps you will be content to define yourself through pronouns or talent and no other struggle will be necessary. Still, we share blood, history and a love of stories, and I want to tell you some true stories today. Destabilising stories that offer neither resolution nor catharsis. Stories that go on, like an underground railroad loop inside your head. Stories that may explain the prickly, fragmented being you sometimes catch a glimpse of, before I clumsily gather myself. You will not remember it, but there’s a fragment of me permanently embedded on a railway platform in Mumbai...


The whole piece is behind a paywall but do read it here: https://www.griffithreview.com/articles/sad-stories-you-are-old-enough-to-hear/?fbclid=IwAR2xV0B2_KcjkLdCvNQH2TT9yRNNS697-_Slrq2GwCd43R5RKtlTFlC64hI 

Sunday, December 11, 2022

Two new poems

I have two poems out in a special edition of the Portside Review, focused on what is 'Endangered'. Editor Sampurna Chattarji picked two very different poems though they are thematically linked in that they look at danger from different perspectives.

In ‘The sky fails to fall’, I address the destruction implicit in a lack of consequence. What if the skies don’t fall when they should? There are events that should stop us in our tracks, freeze our blood. There are conditions under which we should become dysfunctional and refuse to conduct business as usual. If we don’t, those destructive conditions become stronger, and yet, that happens so rarely. The skies do not fall even as, metaphorically speaking, the sky is actually falling.

The other poem is a sort of list or litany and it derives from my current research on 'witches' in South Asia. While mine is a literary project, I have been reading some anthropology too. In Witch Hunts: Culture, Patriarchy and Structural Transformation (Cambridge University Press, 2020), Govind Kelkar and Dev Nathan argue that a witch-hunt enforces or reinforces patriarchy.‘I found a witch’ is a ‘found’ poem series that draws directly from Kelkar and Nathan’s work. It foregrounds women who were ‘hunted’, weaving together key phrases that jumped out at me into compact micro-narratives, citing only the barest facts. Part of the reason I adopted this style was the need to emphasize the violence and the motivations behind witchcraft accusations, and partly because the psychological terror, the isolation, and the heartbreaking betrayals were already present. I have tried to write so that the women might confront readers more directly.

You can read both poems here: portsidereview.com/4b0d-annie-zaidi

Friday, November 11, 2022

On Reading Sara Suleri's Meatless Days

What a thing it is to discover a good book decades after it has been written! I wonder why nobody told me to read Sara Suleri's Meatless Days before? There were so many South Asian, especially diasporic, novels discussed over the last twenty years but not once did I hear anyone say: if you just want to look at good writing -- experimental writing that defies assumptions of genre -- read Meatless Days. I am both moved and startled by it. Some of the sentences are of such a sensory quality that I find myself wanting to lick them off the page (I don't actually do that. I don't! Really, I don't!). The language is a felt one, communicating itself with such a sharp metaphorical edge at times, it is like a new flavour on the tongue; at other times, it engages my literary senses with a sweet viscosity.

On the other hand, I am glad that I did not read this book before I wrote my own Bread, Cement, Cactus for it may have influenced the style in which I attempted a memoir of belonging and home, and this would not have been a good thing. Suleri's book is, in its own way, a sort of reaching for home but I needed to write a very different kind of memoir. I needed to grasp home as a sociocultural and political concept rather than reach for it within my own heart.

Suleri wrote a memoir that does something other than giving us a story about a well-known person, that opening of social doors and letting secrets spill, or even an account of living in a particular place at a particular time, taking us on a journey with a character with all their trials. Instead, it tells us what an emotional life is constructed of, using emotional tools that must be fashioned with one's own hands and memories so that, in the end, we are left with the author's heart rather than an account of her days. It is a memoir of love, not an account of relationships but a cloudy distillate in memory.

I did get tripped up sometimes by the language of the academic that sits within the writer. She uses 'discourse' instead of conversation or talk but she uses the term precisely, letting it describe an environment. A person can turn into a discourse, within himself or for the people in his life, or on account of a particular way of living and writing, seeing and refusing to see. She uses the word casually, but conscious of its possibilities. It is a pity she didn't write more fiction; I would have liked to see what she did with it but perhaps it is just as well. I think I will look out for her other book, also a personal narrative by the sound of it.

In the meantime, I leave you with these brief bits, where she talks about 'sentences' and her relationship with them from her earliest days, and the way she recalls her late mother and elder sister.





Monday, November 07, 2022

After Sappho: a review

Spanning the late 19th and early 20th centuries, the story introduces the reader to women who rejected factory and homestead and immersed themselves in classical poetry, plays, novels, pamphlets, paintings, dancing. The performers among them responded to contemporary works such as Ibsen’s A Doll’s House and Oscar Wilde’s Salome, while others such as Colette, Vita Sackville-West and Virginia Woolf wrote their own novels and plays.

Living in France, Italy, Greece or England, many of these women had privileges associated with a middle- or upper-class background. Apart from one named working-class character—Berthe Cleryrergue, a housekeeper who wrote a memoir about the years she spent working for Natalie Barney—most characters appear to be women of some means. They are able to host and attend salons in Paris or travel across the continent, to Lesbos or Capri. They refuse to slip easily into the robes of obedient wives and mothers, and if they cannot flee, they subvert the norms of heterosexual marriage.

Yet, this is not a novel about privilege though it does draw attention to the nature of privilege through the prism of gender. After all, what privilege does a businessman’s daughter have if her father simply hands her over to her rapist? What does privilege mean if you have no say in the workings of the nation, no matter how educated you are or how ignorant the men who rule against you?

Sunday, June 19, 2022

A staging, at last

It has taken thirteen years but, finally, my play 'Name, Place, Animal, Thing' got staged. The Bay Area Drama Company produced it and Rita Bhatia directed the shows ran at Sunnyvale Theatre recently.


This script was shortlisted for The Hindu Playwrights prize in 2009, but was not staged at the time, partly because I was a freelance journalist who had very little contact with theatre makers. A couple of wonderful readings happened during the pandemic (Atri Bannerjee directed a dramatized reading for the Almeida Theatre in the UK and the Panas Panas Theatre in Kuala Lumpur did a Zoom reading) but this is the first time the play has been staged with costumes, props et al. 


I am glad that the artistic director, Basab Pradhan reached out and made this happen. I couldn't be there to watch the show but many others, especially the South Asian community in the Bay Area, did come to watch. This matters a great deal to me since the play focuses on the intersection of domestic work, class and gender as it plays out in South Asia. 

I was asked to write a blog post too, to help audiences engage deeper with the themes of the play. I wrote at some length so that readers may have a bit of historic perspective viz domestic work and child labour in independent India. Here's something to chew on: 

The Child Labour (Prohibition and Regulation) Act, 1986, was applicable to 64 professions that were deemed hazardous; domestic work was not included. Activists lobbied the Indian government to change the law so that children under the age of 14 could no longer be employed as domestic workers. Initially, the notification was restricted to government servants, who comprise a negligible percentage of the population. Still, the government did concede that children should not be employed in households. The work can be never-ending (a domestic worker can be woken up in the middle of the night to perform a chore) and the risks of exploitation are high since constant oversight is not possible.

In 2006, the government of India finally expanded this order into a law so that children under 14 are no longer permitted to undertake domestic work. However, there are an estimated 150 million child labourers between the ages of 5 and 14, of which at least 7.4 million are domestic workers. More recent studies suggest that 74 percent of child domestic workers in India are between the ages of 12 and 16. Clearly, implementation of the law is weak. Besides, the law only applies to children under 14. What happens to the 15-year-old who lives and works in someone else’s house?

One of the activists I'd met in 2006 told me that if the law were properly implemented, employers are afraid they will be “orphaned for the lack of a slave”.


The script is included in a set of three published in book form as well and you may buy it  online or, ideally, in any bookstore that stocks it. A Kindle version is also available here: 


Wednesday, March 09, 2022

On coverings of face or head, and the cultural value of uniformity

A good school or college teaches students to see people for the good or harm they do rather than focus on their skin, surnames, hair or tiffin-boxes. No society can hope to emerge from the dark pit of ignorance if it refuses to allow experiments with appearance, habits, even cultural values. What is ignorance, after all, but not knowing? Knowledge comes from seeing, listening, recognising, interpreting. A mulish refusal to allow difference is rooted in an irrational fear of knowledge. If uniform rules lead to the denial of education, the best academic response is to discuss the role of uniformity as a cultural value.

That schools and colleges should refuse to accept a covered head is distressing. Even more distressing is their argument broken down: you are only acceptable if you show exactly as much skin or hair as we demand. This is as good as saying: you have no right to govern your own body. This is a dangerous idea to put into any institution, private or public, and especially dangerous for women if endorsed by the state and courts of law.

Those who use the ‘uniform’ argument to keep Muslims out of educational institutions have struck a double blow. The first blow lands on the rights of Muslim students while the second lands upon the hearts of Hindu students whose capacity for critical thought and solidarity is being squeeze-shrunk out of them. They are being taught that it is okay to reject someone based on their appearance, that it is okay to bully or hate those who are different. Worse, it pushes forward the idea that cultural identities are fixed and citizens have no right to multiple or overlapping identities.

There have been some mal-intentioned arguments on social media, based on pictures of girls with and without the hijab, seeming to make the argument that if a girl can show her hair in one location, among one set of people, she has no right to cover herself in another location. The dangers of this argument are so great, and so obvious, that I am amazed at how little pushback there has been from women’s groups across the country.

Some thoughts triggered by hostile reactions to masks and to hijabs in recent weeks. Read the full article here: 


Wednesday, January 26, 2022

The heart of the republic

Freedom is not simply a matter of being fed. The technical lack of a cage also does not define freedom. She may be trained to perform on stage through a judicious mix of fear, pain and food, but a lioness balancing on a chair and being ridden by a clown cannot be called free.

Hunting and killing also do not necessarily translate to freedom. A lioness must also be free to not hunt and not kill when she chooses. One who is expected to tear into a gladiator, or an unarmed Christian convert, is no freer than the human she will kill.

Freedom, then, is a form of self-determination. Being able to make one’s own choices is vital to the process of achieving it, and inhabiting it. And what is the republic if not a human attempt towards self-determination?

Some thoughts on the republic, freedom and Born Free today in the Indian Express: 


 

Thursday, January 06, 2022

An extract from City of Incident

Here is an extract from the first chapter of City of Incident. Please read, and then please go find the book and buy it and read the whole thing. 

They carry knives, some of them. He has seen them squatting on the train floor, chopping up beans and shelling peas into plastic bags while on their way home. It is more likely one of these ladies who carry a knife while travelling than an urchin who doesn’t even have a bag to hide it in.

What else could a woman use? A hairpin, possibly. A thin, black metal hairpin. He had scratched his forearm against one such pin and had been startled at the sliver of blood it drew, for he hadn’t noticed any sharp objects on the cluster of heads surrounding him. Or perhaps it was a needle. Those are quite sharp too and the ladies do knit and crochet in the train. Or a safety pin. Yes. That is just the sort of thing a lady might do if she was sitting by herself in an empty coach. Her restless fingers would take a safety pin to the teal-blue rexine. Stick it in. Gouge. Rip it up with a wrench and a twist of her wrist.

More here: 

https://scroll.in/article/1014259/annie-zaidis-new-novel-captures-the-lives-of-12-people-living-on-the-edges-of-mumbai-city 

Tuesday, July 06, 2021

A play read, at last

 When I first began work on my own, as a freelance writer, I had decided to give myself permission to write in any genre, form or style without thinking of whether it would lead to an income, or even a publishing contract or a performance. 

Not having a daily job, being free of the compulsions of form and word restrictions, I was also finally free to really think about all the things that I'd gathered over eight years of being a journalist and an observer of society. I had done some stories around children who worked as domestic workers, and while many were ill-treated and had to be rescued by social organisations, I had also observed many children growing up as employees in middle class families and not being "abused" (I use the quote marks with some deliberation, to suggest the ambiguity of familiar behaviour). Some of these kids were sent to school, or at least, were given the option of studying, usually at a government school or a cheap, private school. They ate what their employers ate, most of the time, and some of them even had a room with a modicum of privacy. Some were scolded or hit, or prevented from going out without permission, but in many Indian families, parents tended to treat their own children in similar ways. 

Those who grew up within a household of which they are a part, face a quandary. If they were good students, they might seek their employer's help to go to college, or they might want to marry and settle into families of their own making. However, their choices would be restricted by whatever ideas their employers had about deserved freedoms. In large cities, space is at a premium. Where would a young domestic worker go if she wanted to date someone? Could she afford to marry for love and/or to quit her job? 

On the other hand, where would a middle-class girl go if her parents disapproved of her lover? Apart from having a better education and a chance to find a well-paying job, is a daughter's situation so different from that of a domestic worker? Who is allowed to make mistakes, and what does nomenclature have to do with self-image?

Questions like these had been revolving around in my head for a few years and they led me to write a play, Name, Place, Animal Thing. The script was shortlisted for The Hindu playwrights' prize, and that gave me the confidence to keep writing plays. This particular script was never staged or professionally read, though. Now, nearly 11 years later, it has been read (and read very well!) at the Almeeda Theatre in the UK

A recording of the reading is up on YouTube, and is free to watch for a few days. Please click on the link below to watch. 

https://www.youtube.com/watch?v=8eX4Pjd9mFY

Update: 

I noticed months later that Maryam Philpott had written about this performance. Here's an extract from what she writes, and a link below:

"When men appear in this fascinating story, they create lane-changing momentum in the pace and direction of the play and Nancy’s life. Her severe Uncle Malik represents the established social order, the old world that seeks to confine Nancy within a religious and political structure that sees marriage as the ultimate outcome for a woman. Malik’s personality and belief in his absolute righteousness defines the play, motoring the action that, prior to and during this story, shape his family so completely – especially the haunting presence of his daughter lost shortly before Nancy took the same treacherous path.

But other men provide direction as well, not least Nancy’s ineffectual rubbish collector husband who appears more than once to demand the return of his wife as property and to plead his cause, while a clothing salesman’s alluring patter charms the homely women of the play in a variety of ways. What is clear is that none of these men have the best interests of the womenfolk in mind and, young or old, these men prioritise their own happiness and sense of propriety such as it is with fateful effects."

The full article here:

https://maryamphilpottblog.wordpress.com/tag/name-place-animal-thing/




Tuesday, February 16, 2021

Notes on a Loveless Land

When the traffic light turned red, kids would dart up. Peering into the auto-rickshaw, tapping at the cab window, they offered a dozen roses for a hundred rupees.

“Okay, fifty... Thirty! Only thirty, Aunty!... Didi!”

Some people said, the flowers are so cheap because they’ve been stolen from graveyards. Anyhow, it was possible to buy cheap roses on the streets of Mumbai. At a roadside florists’, wrapped in cellophane and bunched with a sprig of delphinium or myrtle, a dozen cut roses could be had for a couple of hundred rupees, but you could pay as much as five, six, seven hundred on Valentine’s Day.

One of the odd things about the roses sold on the street was that they did not smell like rose. They did not smell of death either. They smelt of a vacuum.

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February 2017, Mumbai: Churchgate, a train station that reportedly serves hundreds of thousands of passengers on weekdays, had been the chosen venue for the re-branding of February 14 as Matru Pita Pujan Divas. Mother Father Worship Day. Commuters were greeted with billboards with an idealized image of a family: Mummy and Papa sit on chairs while two teenage children kneel on the floor. Boy’s head on father’s knee, girl’s head on mother’s knee. They were careful to keep the sexes apart even within the confines of a tiny nuclear family. ‘Valentine's Day’, appearing in small font in a corner, was crossed out with an X. For more information, we were urged to visit www.mppd.in

Headlining this advertisement was the face of Asaram Bapu, a religious leader with millions of followers that had once included the current Prime Minister of India, Narendra Modi. Asaram – Asumal Sirumalani before he acquitted the suffix “Bapu” or father – was the ‘Godman’ who, after the horrific gangrape of Jyoti Pandey ‘Nirbhaya’ in Delhi in 2012, declared that the victim too had been at fault. To avoid rape, he said, we should address would-be rapists as “brother” and beg them to stop.

In 2017, Asaram was already in jail, accused of raping minors. The allegations against him left a bloody trail with witnesses dying as the cases dragged on in court. In at least one case, a teenager was raped because her parents were in the habit of obeying the religious leader without question; they allowed him to take the girl into a room alone, so he could ‘heal’ her unobserved. Now, there was his face, at one of Mumbai’s busiest railway stations, instructing citizens to reject Valentine’s Day, and to plug the love-shaped hole in our souls with worshipful obedience.

In April 2018, Asaram was convicted for the rape of a minor and sentenced to life in prison. His lawyers said they would appeal to a higher court. In September 2018, he sent a mercy petition to the Governor of the state of Rajasthan. Millions of followers were reportedly praying for him. Some prayed to him, bowing to his image as one would bow before a deity. In January 2021, he was applying for temporarybail in another ongoing rape trial. Weeks before, police officials in Uttar Pradesh had allowed a religiousfunction within the Shahjahanpur jail premises, including a banner featuringAsaram’s face.

Meanwhile, Asaram’s son Narayan Sai, who also lived as a self-styled spiritual leader as his father did, was also accused of rape. In April 2019, Narayan Sai too was found guilty and sentenced to life imprisonment. In October 2020, he was discovered to be in possession ofa mobile phone inside prison.  In December 2020, he was granted furlough by the Gujarat High Court.

Something else had happened in February 2017. Prime Minister Narendra Modi’s photograph appeared in a newspaper advertisement that promised the formation of “Anti-Romeo” squads. The Uttar Pradesh assembly elections were around the corner and the BJP election manifesto included the promise of creating such squads that would police thepresence of young men outside girls’ colleges.

Commercial outfits took their cue and shifted tone. On February 14 that year, there were commercial advertisements in the newspaper asking readers to show love to their children, rather than to their partners.

In 2017, there were reports of men affiliated with the Bajrang Dal, a religious organization, assaultingcouples in many different parts of the country. There were no further reports about whether these men had been arrested, and whether or not the state was pressing charges against them.

One of India’s largest and most populous states, Uttar Pradesh voted the BJP to power. The man picked to be Chief Minister was a monk, Yogi Adityanath, and one of the first things he did after taking office was the “Anti-Romeo” squads. Each squad would have one police officer of sub-inspector rank and four constables. News reports quoted members of the police force as saying that they intend to “cleanse” the city. Young couples hanging out in parks and shopping malls were described as “offenders” who would be “punished”.

Some of the cops reportedly told journalists that they could tell a “Romeo” from the look in his eyes. It was an odd sort of claim to make. No cop claims to be able to tell murderers and rapists by the look in their eyes. What look is this that betrays itself so easily? Could it be the undisguised look of love? 

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Much before February 14 turned into a battlefield for the heart of India, for me, the day had been truly associated with parental love. It was my mother who taught me and my brother to cut red velvet paper in the shape of hearts and make cards on February 14. It was just one of the many creative things she did to make our lives a bit less dull. Still, even as a child, I was aware that this festival was different from religious or nationalist celebrations. You didn’t give Valentines to all and sundry; you chose the recipients of your affection. 

Until the 1980s, Valentine’s Day celebrations were limited to a handful of families in India. In the 1990s, global commerce began to nudge us more insistently in the direction of chocolate, flowers, diamonds, red faux-velvet cushions, stuffed teddy bears holding red heart-shaped cushions, jewellery shaped like a golden teddy bear holding a little diamond heart. Restaurants began to advertise date nights with special décor. By the late ’90s, political and right-wing groups began to react sharply, decrying these tokens of romance as being foreign to Indian culture. In Mumbai, the charge was led by the Shiv Sena, which had risen to power riding on nativist sentiments.

In February 2001, for the first and only time in my life, I bought flowers for a man outside my family. The office was paying. I was a cub reporter working with Mid-Day at the time and the Sena was warning against Valentine's Day celebrations in Mumbai. Stores and restaurants were warned against changing décor and a few shopfronts were smashed. During an editorial meeting, it was jokingly suggested that a Valentine be sent to Balasaheb. Bal Thackeray, Balasaheb to supporters, was the Shiv Sena Supremo at the time. The editor said to me, go do it.

So there I was, buying flowers and a giant Hallmarks’ style card, which I had inscribed with messages from young people across the city. On my way to Balasaheb’s residence, I struggled to keep the nervousness off my face. I was trailed by a staff photographer, visibly more nervous than I.

We didn't expect to make it past security. Half a dozen men sat clumped together at the gate and they asked what we wanted. I said, we were here to meet Balasaheb. Somehow, the men didn't connect the flowers I held with Valentine's Day; they just asked if we had an appointment. I said, no, but we’d like to try our luck. They shrugged and waved us in. A member of the staff answered the door and informed me that Balasaheb was taking his afternoon siesta. I breathed a sigh of relief, handed over the flowers and card, and fled. 

The next day, the newspaper published a photo of me standing outside that door alongside a story of how young people wanted to send across the message that they just want to live and love in peace. I never went back to meet Balasaheb. I was too afraid. I still am, even though he has been dead a few years. The Shiv Sena has not publicly reversed its stand on Valentine’s Day and anti-love rhetoric has since entered the political mainstream.

Over the last few years, a WhatsApp forward has been doing the rounds in India. It shows an image of Bhagat Singh, an instantly recognisable freedom fighter executed by the British colonial government in 1931, accompanied by a scoldy message saying that it was on this date Bhagat Singh were martyred but all you want is to celebrate Valentine's Day. This was a patent falsehood. Bhagat Singh was executed on March 23, not on February 14. 

I considered sending a response to the person who sent me the message, pointing out that, as per legend, Saint Valentine was also a sort of martyr: he risked his life doing what felt right in defiance of the establishment. Surely that was worth celebrating? I didn't bother though. I was afraid of being dismissed as “westernised”, or worse, a Macaulay-putri. A daughter of Macaulay. One whose mind has been colonised.

Meanwhile, Pakistan once again demonstrated that it was India’s sibling nation. In 2017, the Islamabad High Court issued a diktat against celebrating Valentine’s Day in response to a petition arguing that it is against Islamic teachings. The judges did not see fit to remind the petitioner that Islam defines marriage as a contract by mutual consent, and that there’s no religious injunction against the purchase of teddy bears, heart-shaped balloons, or roses. 

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Inside the safety of my own head, I build arguments. What is so ‘foreign’ about roses? 

Heavily fragrant, blood red desi roses are woven with jasmine into a sehra, a flowery veil worn by bridegrooms at weddings in many parts of the Indian subcontinent. Roses are woven into wedding garlands. Rose petals are strewn on the bed for a couple’s first wedded night together. India’s first Prime Minister, Jawaharlal Nehru used to wear a red rose on his jacket. Rose petals are showered over the heads of leaders during political rallies. Rose gardens exist in several Indian cities. Roses are cultivated in household gardens and potted in balconies.

Nobody’s got anything against chocolate either. On festivals like Diwali, Holi and Ganesh Chaturthi, even conservative families exchange boxes of chocolate in addition to Indian sweets, which are harder to prepare and more expensive. On birthdays, schoolkids distribute chocolate rather than traditional Indian sweets.

The most conservative Indian families have nothing against furry teddy toys; diamonds are perfectly acceptable too. The objection, therefore, is not to Western cultural motifs. All the symbols associated with love, even in commercialised formats borrowed from the West, have been embraced warmly by Indian families so long as these motifs are divorced from individual love. It was, therefore, love itself that was being denounced as ‘foreign’.

How so? In my head, I argue: what are you going to do with the body of evidence that is ancient Indian love poetry? Ignore cultural influences brought into India by the Arabs, Turks, Persians, Mongols, Abyssinians, Portuguese, French and English, but you must contend with ancient verses in Prakrit, Sanskrit and Tamil. The Sangam era literature is full of romantic dalliance and transgression. Ancient Indian poetry describes soft, rounded bellies and breasts; eyes were likened to lotuses, rainy seasons and absent lovers; parrots and clouds carried messages to the beloved.

If conservative groups are troubled by the foreignness of Valentine’s Day symbols, they should find it easy to counter. Arrows tipped with marigold flowers could be exchanged instead of greeting cards. They could write Sanskrit verses on palm-leaf stationery. They could offer paan (betel leaf rolled with sugared rose petals) instead of chocolate.

The Hindu pantheon is vast. It includes Kama Dev, the god of love and desire. His consort, Rati, is a goddess associated with beauty. Why not celebrate a Kama-Rati festival on February 14, instead of worshipful obedience to parents? Any politician who wished to counter Western cultural influence could have put up a show of spirited defiance and initiated a Kama-Rati festival on February 14. He, or she, could invite all members of Parliament and state legislatures to join in the celebrations. If foreignness was the bogey, it was easily beaten. The true bogey, however, is the sort of love that comes with sexual consent.

Politicians could, if they chose to, take a leaf out of the playbook of The Indian Lovers Party (ILP), a political outfit based in Tamil Nadu. It believes in the right of citizens to marry whoever they like, and also lists global warming as one of its chief concerns. It exhorts lovers to plant trees on February 14. The party’s manifesto includes the promise of a gold ring to babies born to “lover couples” on Valentine's Day. The founder, Kumar Sri Sri, has said that he formed the party on February 14, 2008, with a view to remove the sufferings of 300,000,000 Indian lovers, though it is not clear how he arrived at this figure.

The ILP party has never won an election though. Kumar received less than 5,000 votes in the 2014 general election and only about 3,000 votes in the state assembly elections. The party symbol is, predictably, a heart. There is an image of the Taj Mahal, the Mughal tomb widely recognized as a monument to love, ensconced within a heart, pierced by a symbolic arrow.

At the time of writing this, the party’s website appears to be defunct. There is no word on whether or not the party intends to continue its electoral campaigns. Journalists do not seek serious commentary from the party’s founder or members on the legislation and constriction of marital choice, or on state-funded institutions interfering with Valentine’s Day celebrations.

In February 2013, multiple colleges in Hubli, Karnataka, decided to ban Valentine’s Day celebrations on campus. There had been attacks by miscreants in previous years and, instead of upping security and insisting on the rights of students to express love on this day, or any other, the college administrators decided to clamp down on non-violent students. 

In February 2018, Lucknow University, one of India’s largest and oldest institutions of higher learning, issued an order that students must not come to the campus on February 14. Officially, it was meant to be a holiday for Maha Shivratri, so there would be no classes, no cultural activities, and no exams. However, parents were warned against sending their wards to college on the day. Students who showed up were threatened with disciplinary action

In February 2020, female students of the Mahila Arts and Commerce College in Amravati, Maharashtra were made to take a peculiar pledge on February 14. They were made to swear that they would not have a “love marriage”.

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In the course of a creative writing workshop, I had once asked students to write about something that troubled them. One young woman wrote a story about a bright, compassionate teenage couple that gets expelled from college after the security guard sees them holding hands.

In co-educational schools, it is not uncommon to have boys and girls sit on separate sides of a classroom. Some high schools impose rules like asking boys and girls to use separate sets of staircases. One of my workshop students told me of a school that had installed a glass partition in the classroom with boys seated on one side, girls on the other. No touching, not even by accident. 

The student who wrote a story about the kids expelled for falling in love resolved the conflict through suicide. She was not being dramatic. It was perfectly logical, given the lived experiences of millions of young people. Of the reported suicides in India, the single largest cause is the amorphous term “family problems” (32.4%), while “marriage related issues” (5.5%) and “love affairs” (4.5%) are other major factors. These numbers suggest that far more people kill themselves for the lack of love, or an inability to look forward to a joyful family life, than on account of poverty, unemployment or indebtedness. Girls under 18 and young women under 30 years of age figure in higher numbers than older women, and“housewives” comprise the largest group that died by suicide, followed by“students”

Hundreds of young people are killed if they do not obey their families in matrimonial matters, though there is considerable underreporting of such crimes. While 356 cases were documentedas ‘honour’ killings between 2014-16, only 30 such murders were recorded in 2018, and 24 cases in 2019. However, there is no record of murder if neither family reports it to the police. Consider the case of the high school student strangled allegedly by her family in Bihar in April 2017. She had been trying to run away with a schoolmate when they caught her. Her killers were going to set her body on fire and were prevented from doing so only because the police showed up just in time. Once the body was destroyed, all evidence of crime would go up in smoke. It was unlikely her family would even have reported her as missing.

Each week brings fresh accounts of such murders. In December 2020 alone, three suspected cases were reported in the newspapers. A young man of 27 was hacked to death in Kerala. He had married a young woman against her family’s wishes. Reports suggested the couple had been in love as schoolmates and had finally decided to get their marriage registered in September. They were both Hindu, but of different castes. In another case, a woman of 24 was shot dead, allegedly by her own family members in Uttar Pradesh. Same religion, different castes. Reports said, her family didn’t agree to the match even though their relationship had lasted eight years. In June, the couple married at a temple. By December, she was dead. In the third instance, in Bihar, a boy of 16 was reportedly hacked to death and his body dumped in a river. He had been in love with a girl of another caste.  

Such murders are reported from all over the country, usually as brief items on the inside pages of the newspaper. The reports offer sketchy details such as the ages of the victims and their community affiliations. In many instances, there is murder even before young citizens have made a definitive choice. In April 2017, a boy of 19 was beaten to death in Jharkhand simply because he seemed to be interested in a girl of 15. It wasn’t clear that they were romantically involved or whether they simply wanted to get to know each other. Reports said that it was the girl who had called, asking the boy to come and meet her. The boy was Muslim, the girl was not. In another such case from Uttar Pradesh, in July 2016, a boy of 14 (or 16, depending on the newspaper you read) was killed for developing a relationship with a neighbour’s daughter. Different religions. The parents made no allowances for natural affinity and empathy and a childhood spent in friendship.

One doesn’t need to to fall in love across religious lines to attract violence. In October 2016, a boy of 20 and a girl of 16 were found hanging from a tree in the state of Odisha. He was Hindu, reportedly backward caste. She belonged to one of the scheduled tribes, which are broadly accepted as being within the Hindu fold, though their religious practices are different. The boy’s father insisted that it was not a double suicide, as was suggested in the early days of the investigation. 

Some killings are neither about religion nor endogamy but complex exogamy rules. In 2020, a young woman was killed for marrying a man of the same gotra. Reports said the parents drove 80 km with her body in the rear seat of their car, before dumping her unceremoniously into a canal.

Other killings are on account of regional or linguistic differences. In May 2017, a young woman's parents entered her home with a stranger who shot her husband dead. She was Hindu, north Indian. Her husband was Hindu, south Indian. The daughter had already signed away all claims to wealth that she may have inherited. Yet, her family could not bear to let her go and seek her own happiness.

What these cases have in common is the parents’ disrespect for the sexual choices made by their children. However, if elders do not violently prevent a match, they themselves are at risk of being killed. In 2017, an elderly couple in Bihar was lynched by a mob after their grandson eloped with a girl from another caste.

Often, young lovers lose hope when faced with unending disapproval and the prospect of a forced separation. In February 2018, young lovers from Jalna, a small town in Maharashtra, who had gone missing on Valentine’s Day were found dead a few days later, with a bottle of poison and a note affirming their love. The parents of the girl, who was 17, had filed a kidnapping case against the young man. In Assam, another couple reportedly killed themselves after celebrating Valentine’s Day together. Both were 26 years old.

In February 2017, a young couple in Kerala was harassed and filmed when they were out on a beach on Valentine’s Day. The mob humiliated the young woman and assaulted the young man when he tried to stand up for her. A few days later, he killed himself

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Kerala does better than most Indian states on most human development indices. It has a 99.5 percent female literacy rate, the highest in the country, and only 0.9% of girls under 18 are already married in the state.

However, Kerala is also where young couples were caned by political activists in the presence of the police and journalists. The man who led the attack was 57 years old and had reportedly been arrested before for molesting a disabled woman. In November 2014, a Kiss of Love protest was initiated in Kerala to push back against several instances of “moral policing”, or more accurately, the harassment of men and women who happened to be out in public, either displaying some sign of affection, or taking a walk together, or even riding pillion on a bike. In once such incident, in 2013, a boy of 19 was killed in an accident after being chased by a mob of men, while his girlfriend rode pillion behind him. 

Both religious and political outfits in Kerala were threatening to physically prevent people from kissing or hugging during this protest march. The state police responded by arresting the advocates of love. 

Kerala was also where a student organisation initiated a website for inter-caste and inter-faith marriage: www.secularmarriage.com was launched in 2014, and was hacked within hours of the launch.

Kerala is also where a girl of 21 was detained by the cops on charges of child abuse. Her boyfriend was 17 and she had moved in with him. His mom complained that her son was being sexually assaulted since he was under the legal age for marriage, which is 21 years for boys in India. 

Kerala is where a student of homeopathy converted to Islam. Akhila chose to become Hadiya, and she went looking for love. She found it in Shefin Jahan, a Muslim man, and all hell broke loose. Her parents accused her husband of having links with the dreaded terrorist organisation, ISIS. They said she was brainwashed and didn't know what she was doing. The National Investigative Agency was involved. The matter went first to the High Court and then the Supreme Court. The Kerala High Court annulled her marriage and awarded custody to her father. She was 25 years old at this time.

The case was appealed and state investigators argued before the highest court in the land that this young woman was a victim of “psychological kidnapping”. She fought legally to recover her personhood and, in March 2018, the Supreme Court restored her marriage. However, in the interim, it also advised her to return to her hostel rather than her husband's home.

At one point, her father had asked members of Siva Sakthi Yoga Centre, a Hindu organisation, to prevail upon her. Hadiya accused them of “torturing” her and trying to convert her back to Hinduism against her will. Akhila/Hadiya's father claims to be an atheist.

In recent years, there have been blatant attempts by certain groups to prevent inter-faith marriages where the groom is a Muslim man by keeping tabs on marriage notices posted at the registration office, and sharing private information on social media, while inciting people to forcibly separate couples.

In March 2020, the Kerala state government announced that it would open ‘safe houses’ for inter-faith couples and when one such couple was threatened after announcing their declaration to marry under the Special Marriage Act, as is currently required by law, the state decided to stop a public display of such announcements.

At the time of writing this, www.secularmarriage.com was up for sale. The domain owner was offering it up for USD 997. 

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The Indian Constitution is supposed to have sought inspiration from the Constitutions of various modern democracies. It allows us many fundamental rights and freedoms but it does not speak of the pursuit of happiness.

It is not uncommon to hear elders in an Indian family say: What is this nonsense about happiness? You think you can be happy? The purpose of marriage, they are likely to say, is not happiness; it is perpetuation of the self, with all its privilege and prejudice intact. Clans decide: who is chosen, how s/he should behave, how much money must be spent on the wedding, under what circumstances can the union be dissolved. Negotiations between clans are controlled by a complex schema of socio-economic hierarchy. Every group has been assigned a fixed place and nobody must attempt to rise above their place by mingling with their social superiors.

In such a social environment, love is a four-letter word. It is the freak gene in the body of the nation. A tic that can't be controlled. It will not do as Papa wants. It will not kneel to Mamma’s wishes. Maternal love and paternal love are lauded but these relationships do not entail mutual respect and equal rights. Love for the homeland is tolerated as long as its manifestation is limited to observances such as standing up for the national anthem, or saluting the armed forces. To ask citizens to think about what true love entails can be construed as treachery.

Riot is another four-letter word, often triggered by rumours that a girl was harassed by one or more boys of the other community. Young people are often dissuaded from loving relationships through threats that their union would lead to communal riots; it is understood that innocents get murdered and raped during riots.

The few who dare to dream of consensual sexual relationships run grave risks. There is the ever-present threat of murder of course, but there is also the threat of rape with no legal recourse. An increasing number of Hindu vigilante groups have taken it upon themselves to prevent legal marriages between Hindu women and Muslim men. They do this through setting up a network of informers in the courts where such marriages can be registered, as well as through infiltrating young people’s social groups to spy on them. There is no remorse and, with new legal ordnances in Uttar Pradesh and Madhya Pradesh against religious conversions for or on account of marriages, they have been emboldened to not only prevent inter-faith marriages but to actively hunt down couples and report them to the police.

Reports suggest that volunteers of the Vishwa Hindu Parishad have “intervened” and “picked up” women who go to courts to get their marriages registered. They proudly declare that they intervene in similar ways every other day. One volunteer claimed that after forcibly separating the couple, they “get the woman married off to a Hindu from our own group”. He freely admits to using force, and that the girl did not consent. 

The opposite of sexual consent is another four-letter word. Rape is a crime in law, except when the perpetrator is married to the victim. The 2015 National Family Health Survey reports that at least 9 percent of married women between the ages of 15 and 49 had faced sexual violence and in this category, 90 percent had been assaulted by a current or former spouse. Some reports even suggest that more women end up in hospitals with injuries suggesting sexual assault during India’s wedding season.

Rape is also a legal trick used by clans against consenting lovers. A significant proportion of rape and abduction cases have been discovered to be filed by parents of girls and womenwho elope and want to get married to men of their own choosing.

In such a climate, that there should be a group called Love Commandos is the hurrah of life. A volunteer-led group, Love Commandos offers support to couples who want to marry for love. They offer an emergency phone contact, and temporary shelter. Their website (www.lovecommandos.org) says that they do not intervene with parents. They place their faith in the Constitution and the law courts. They also make it clear that they do not cater to minors or unemployed youths. Which is to say, you cannot be clothed and housed and fed indefinitely.

What happens to young lovers who do not yet have jobs, as indeed most do not, when they are between 18 and 21 years old? How long can they hope to keep their bodies intact, without the help of their own families or clan networks? 

Much of India therefore sticks to cautious marriages where sex can be taken for granted (only by men) and affection is a chancy bonus. It prefers marriages that are hard to walk out of, with the shadows of two extended clans and millions of caste members standing at the door, not to mention the weight of jewels, houses and cars extracted as dowries. The Lok Foundation-Oxford University multi-year youth survey suggests that 93 percent of urban Indians have had arranged marriages. Only 3 percent of the respondents said they had a “love marriage” while a lucky 2 percent had a “love-cum-arranged” match, that is, they fell in love with the person their parents chose for them. 

Growing urbanization and new technologies have not changed social norms significantly. The rates of “arranged” marriage remained over 90 percent, regardless of whether the respondents are in their 80s or their 20s, and the overwhelming majority marry within their own caste.  What’s more, an overwhelming number of young people do not appear to be striving for change. A survey conducted by the Centre for the Study of Developing Societies (CSDS) and the Konrad Adenauer Stiftung suggests that 24 percent of Indians between the ages of 15 and 34 are “extremely patriarchal”, that 53 percent disapprove of dating, and 45 percent disapprove of inter-religious marriage. Another study, conducted by the University of Maryland, found that 74 percent of Indian women need permission from parents, husbands or in-laws to go somewhere, even if it is just to see a doctor, and 58 percent need permission to go to the grocery store. Only 5 percent of Indian women surveyed felt they had any real control over who they married.

According to the National Family and Health Survey of 2016, about 27 percent of Indian women between the ages of 20 and 24 were not yet 18 when they married. Even among those who were not legally underage, the question of choice was fraught. The new mean age of marriage for Indian women (Sample Registration Survey 2018) is about 22. This data suggests that girls are marrying later, perhaps gaining at least a school education if not a college degree. However, there is significant pushback on the question of choosing who to love.

In May 2018, one of India's elected representatives more or less advocated child marriage, saying that more young people are straying and there are “accidents like Love Jihad” because they aren’t married whilst they’re still too young to decide. The state of Madhya Pradesh is now contemplating new laws to raise the minimum age of marriage for women to 21. In theory, this makes for a more egalitarian system, since it removes the legal age difference between the sexes. However, there is no law in this state, or elsewhere in India, which specifically gives girls and young women the right to live separate from their parents, and to shun their guardianship in the event that they choose to form romantic or sexual partnerships before marriage.

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A few years ago, I was out for a late-night stroll on the promenade with a group of visiting writers in Mumbai. They drifted off one by one, until there was just me and one other, a man. There was a police station across the road, so I had assumed that this was a safe spot. A group of cops was parked just a few feet away, enjoying the sea breeze and drinking cups of lukewarm tea brought by vendors who went about on bicycles well past midnight.

As we strolled past, the cops asked me to go home. I asked, why? They said, “You shouldn't be out this late. If something bad happens to you, you will blame us.”

I didn't ask why something bad would happen to me when the police station was right there, in plain sight, and uniformed men sworn to protect me parked just a few feet away. I went home without argument.

Another writer friend told me about the time she was kissing a young man and was confronted by cops in a Delhi park. They accused her of obscene behaviour. The phrase “chumma-chaati” was used. Literally, it means kissing-licking and is used with a note of disparagement. It happened years ago and she could laugh when she told the story. The truth is, she knew that she barely escaped being detained

An enquiry or suspension of cops in one district does not deter cops elsewhere. No government is willing to take a clear stand on the question of citizens’ right to public spaces, and the right to experience and express love. There is a broad, ill-defined law against ‘obscenity’ that can be stretched all the way from kissing to hugging to holding hands or eating an ice-cream on the promenade. The police and elected governments take their cues from what the majority chooses to punish.

In May 2018, a couple was beaten up by their co-passengers in the Kolkata metro rail for either “standing too close” or hugging. There were no further reports about the attackers, or about whether or not the state police prosecuted them for assault.

Also in May 2018, a Christian youth was killed in Kerala and his body tossed into a canal. He had married just a few days before. The girl was also Christian, but from an upper caste family. The girl was a legal adult, yet she was summoned to the police station where her family tried to forcibly take her back home, in the presence of the police.

Reports do not tell us that the police prosecuted the parents for trying to interfere with an adult citizen’s marital choices.

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The state never talks of consent. There is no talk of seeking, and giving, sexual consent in schools and colleges. There is no talk of sexual consent in religious discourse. It is as if our leadership – not just politicians but leaders in faith, in education, even in business – finds the idea of female consent to be a dangerous one.

Instead, elected representatives talk of keeping women safe by “parking them at home” as if they were cars. They blame rape on Chinese food, or women for adopting “Western” clothes. Most recently, the Chief Minister of Madhya Pradesh even suggested that all “working” women, that is, those who have paid jobs to go to, register themselves with the police so that they can be tracked wherever they go.

Where the state cannot control women’s choices legally, it allows extra-legal forms of control to flourish. It used to be that one could escape the stranglehold of the orthodoxy in rural areas by moving to cosmopolitan cities. That was one reason why Dr B.R. Ambedkar had urged Dalits to move into cities, to escape the stranglehold of local caste networks. However, there are reports of landlords refusing to lease out homes based on religion, caste, diet and marital choices. Singles, quaintly described as bachelors or bachelor ladies, are unwelcome too.

Some real estate rentals spell it out clearly: “families only”, which translates to married heterosexual couples, ideally with kids. Family is thus understood to be a unit where you are not free to choose the person you live with; it is a unit where you can be labelled appropriately. This is a form of housing discrimination that targets multiple groups, including sexual minorities, singles, people who choose to walk out of unhappy or abusive marriages, or couples who do not believe in legalizing their status.

There are other forms of indirect control over young people’s sexual choices. If you were a jobless young lover, your best bet of safety lay in a city where you could live independent of parental control. However, you’d have to live in a slum, and even that could turn out to be a costly affair. There is no unemployment dole in lieu of a minimum wage, no social security that can be de-linked from your family, no council housing that allows you to live without family support. You’d have no clean water, no guarantee of electricity, no easy access to a toilet. You might die of cholera or dengue before your own clan hunted you down.

A tiny fraction of the population feels free to marry who it will. The rest focus their energies on not letting anybody get above themselves in the social order. Even this tiny fraction barricades itself against the threat of disruptions of class via love. Clothes, address, furniture, accent, leisure habits, food choices give us away. Within the educated middle class, we hear barely disguised cries of outrage when a ‘pretender’ surfaces: someone who dresses better than her job ought to allow, someone who uses an ambiguous surname that doesn't immediately betray his religion or caste origins. When the discovery is made, those higher up on the ladder feel wounded. As if poverty or social ambition were evidence that the beloved had no feelings to begin with, as if no true love was possible between those who belong to different social strata. As if the very opposite were not true: those who look for surnames and house addresses that betray social origin are handicapped for love. 

One is not supposed to say things like this among friends. One raises a brow when one hears of affairs that involve the giving up of privilege, the giving up of inherited wealth, the giving up everything except the beloved. I have never heard such choices being lauded in public discourse or in private conversations.

Now, the country finds itself at a pass where not only are couples targeted for marrying someone their families disapprove of, but hanging out with friends across community lines can lead assault, lynching or arrest. In 2015, a bunch of students posing for a photograph led to a violent attack. In the photo, a young man sprawls playfully across the laps of four girls. One of other boys who also appears in the picture, sitting nearby, was Muslim. He was hunted down by a gang in Mangalore, driven to an isolated location and badly beaten, although there was no indication that he was involved with any of those girls. 

In May 2018, another Muslim youth came within inches of his life when he went to meet a girl in Uttarakhand. He was saved from a potential lynching by a mob because a police officer stepped in. The Sikh cop turned into an overnight celebrity. He appeared as a last spark of hope. His name and image were circulated on social media as representative of the best among us. The photograph that went “viral” showed the young man with his skinny arms wrapped around the cop.

In February 2020, a Dalit youth in Rajasthan was allegedly beaten up and his head partly tonsured when he went to meet a female friend from an upper caste family. 

By the end of the year, a 17 year old boy was first attacked by a group of people, then arrested under the new Uttar Pradesh Prohibition of Unlawful Conversion ordinance. He had simply been walkinga female friend home. He remains in jail, despite the teenage girl and her mother’s protests that she was neither abducted, nor allured, nor had there been any intention to elope.

What are these young citizens’ thoughts on Valentine’s Day? Do they quake and crouch in terror? Drained of all hopes of love, do their beings fill up with the great rush of worshipful obedience?

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The rhetoric against Valentine’s Day is kept alive by one group or the other. In 2020, ‘warnings’ were issued by the Hindu Sena in Coimbatore, and Delhi.

The Bajrang Dal has continued to issue warnings against Valentine’s Day celebrations, and continued to harass citizens in 2018 and 2020.

In 2018, the Hindu Kalyan Mahasabha had organized a ‘lathh puja’ or a symbolic worship of sticks, as a warning against Valentine’s Day.  The same year, the Bharat Hindu Front “married” a dog to a donkey, with some of the group’s members claiming that this sort of union was equivalent to people marrying across caste or religious lines. It was as bald a claim as could be that they do not see members of different castes or faiths as fully human, or members of the same species. There was no response from the State, asserting anything to the contrary. 

There is not one cabinet minister or leading politician from any national political party who has declared unequivocally that women are free to love whoever they choose, that those who defy their families deserve respect and protection, and that parents and clans will just have to lump it, else they will be punished severely. Our political leadership does not say to us that love is necessary, that life can be painful for the lack of it. Nobody stands up for the right to be out celebrating on Valentine’s Day.

The nation’s women continue to be exposed to furtive touch, irresponsible touch, unwanted, violent touch. They are never told that they must insist on consensual touch, always. They are never reassured that, for all its thorns, life can also bring roses. They are never promised fragrance and sweetness. Not even on one day of the year. 

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 This essay was first published in Scroll: https://scroll.in/article/985684/valentines-day-why-it-is-hard-to-celebrate-consensual-love-in-india


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